Foam-born Aphrodite

To say that this has been a long time in the making would be a perilous understatement. Key and I have teased and hinted at this undertaking for over half a year, at various points ruminating on if it was the right time or not to release our offerings into the world, and at each turn being rejected swiftly in divination. The spirits that have guided our hands and hearts have continually asked for more—the Venusian increase, the love-struck outpouring, the tremendous and awe-inspiring chorus of muses lilting in heart-song—reminding us to never shy or shrink away from the importance of our toiling. What began as a decision born of serendipitous chance had, after all, become a sacred pilgrimage; and what we brought back from those shores was an experience that fundamentally reconstituted us at our cores.

For our thirtieth episode of The Frightful Howls You May Hear, Salt interviews Key and I about what it was like travel to the Sanctuary of Aphrodite Paphia—the single most holy site of Aphrodite in the world, being a place of pilgrimage for countless cultures across centuries—as well as the Petra tou Romiou or “Aphrodite’s Rock,” being the place of her legendary birth within the foam. Even as we could only share but a fraction of the full experience—the rest being subject to the taboos of secrecy placed upon us by the spirits we encountered—we were utterly delighted to at last unveil a portion of what made this pilgrimage so special. Far from a simple touristic joust, our experience of the Heavenly Queen transformed us beyond every measure, elated us to tears, humbled us to our knees, and pacted us to a worship that will endure for the rest of our days. While Key and I are no strangers to visiting sacred sites and places of power—having spent the last several years being ready travel companions as best friends across countries—we have never hesitated once over the past six months to declare to ourselves and others that this was the single most illuminating and transformative experience across all our adventures.

The Baetyl of Aphrodite: the aniconic site of her cultic worship in Paphos.

The blessed rain that purified us, the hymns we sang at her Sanctuary, the museum guard witnessing the manifestation of the Goddess through the light of the clouds parting and celebrating with us that “She had come,” the voices we heard within the airs swirling her Baetyl, the second physical manifestation at the beach, and everything that occurred in between—all this, to our capability under the necessity of secrecy and privacy as directed by spirits, we go into at various points throughout the episode. If you’re interested in hearing us attempt to even begin to grasp at the significance of what this was for us, we kindly invite you to give the episode a listen. It contains our usual mischief and humour as we process a story we’ve told many friends and ritual elders over the past half year, but also a lot of vulnerability at the humbling manifestations that we bore witness to, and the deep sense of honour and privilege we feel in being able to share a portion of this experience with our kind listeners and supporters.

Aphrodite’s Rock, illuminated by the sun. We took this photograph after having collected our seventh hagstone.

Those on our Patreon (and especially our Patreon’s new Discord server) have seen plenty of hints and previews over the past little while of the collection Key and I have been toiling over ceaselessly since we returned to our homes last year. Every Friday of every month since the mid-fall, he and I have given of ourselves our fullest effort to a series of offerings to share with the world a distillation of that experience. One of our many agreements we forged with the spirit intercessors and intermediaries we encountered was to share the love of our friendship, love of this experience, love for this Goddess, and Love as the force which binds all together as the rapturous intrusion and fermentation of reality; that while some aspects must be kept sub rosa by necessity and by design, the nature of beauty and love is to unfold as the rose does. These violent blossoms must yet germinate their delights within the maws of desire, enfleshed in promise and fulfilled in need.

While the frenzied touch of the Goddess of Love and Beauty kept us restless, pushing us onward to continue perfecting formulas and negotiating pacts, the spirits that guided us throughout this journey (including those who returned home with us from those shores) kept a steady beat to our toiling. The three of us—Salt, Key, and I all—have intimately shared with each other the aspects of the most transformative and incredible spirit-experiences we’ve encountered across our traditions and the stories of our lives, especially as we’ve deepened the immense friendship between us. Yet so rarely are even a portion of these stories allowed to be public in any capacity. At the same time, it also struck us as only appropriate that, in cultivating this burgeoning veneration of Aphrodite in light of all that She had wrought for us on this journey—so suddenly and remarkably cleaving into our lives and reaching into the pits of our natures to wrestle forth our deepest desires to the forefront—it was only appropriate that we allow for some of that vulnerability to be shared beyond words, even beyond writing: but in offerings of the spiritual essence itself.

This was always our heartfelt desire with this Foam-born Aphrodite collection, named in tribute to She who made it possible. While we will certainly create many more offerings in the future with respect to Aphrodite, the spirits of the Tuba Veneris, the angel Anael, and all the powers under the All and Many that is Venus Herself, this gathering here is made both limited and special in the truest senses of the words through the pilgrimage and its theophanies. Key was in charge of the majority of the creations and carried out his work with the diligence and attention to detail of a master artisan. My chief role was to bring about the circumstances that would allow a troupe of Venusian daimones to become bonded to a series of hagstones as their desired vessels, such that some of the very nymphs in service to the Goddess may become familiars to those most in need of their service and companionship.

The view of the beach and Aphrodite’s Rock from atop the slope.

Locals we spoke to in Paphos continually emphasized that when Aphrodite arose, fully-formed, from the foam of the sea, she was carried to the coast by myriad nymph beings that guided her from her rock to the beach. We continued to find stones in the shape of slippers amidst the waters as we swam, which a number of locals told us were the “shoes” of these spirits. After making our offerings, singing to the Goddess, saluting the many spirits of shorelines and beaches we already hold pacts with, and completing the end of our pilgrimage by swimming three times around the Rock itself (said to grant blessings of long-life, beauty, and love upon all who embark on this venture), we fell into deep trance, encountering some of these spirits that guided us back towards the beach as we swam.

What awaited us at the coast was, without exaggeration, as startling as the sight of the clouds parting to the light of a woman’s form before us and the guard in the Sanctuary. Once we returned to where we had left our offerings under the large boulder on the edge, we were approached by an otherworldly beautiful woman with dark, curly hair and a splendorous garnet-red dress. This was one of those encounters which no description could do justice. Everything about her appearance, gait, composure, and ominous gaze—penetrating yet distant, awe-inspiring yet familiar, ferocious yet docile—left the both of us so speechless we were unable to even muster a polite greeting. Her bare feet appeared to effortlessly glide across the pebbles, undisturbed by their rough edges, until she was just a step away from embracing me. My voice was so caught in my throat that I could not even manage the simplest utterance. Instead, she suddenly grasped my hand and impressed in it a stone—the same deep garnet-red as her dress. She did not respond to my breathless attempts to thank her in Greek and in English, physically vanishing around the bend of the stones as Key and I attempted to follow her. Only upon closer inspection later did I realize that its shape physically resembles the coastline from the Sanctuary to the beach itself.

It was after this encounter that Key and I collected the seven smooth, flat hagstones that would become our own “Baetyl”. While there are no shortage of excellent statues of Aphrodite across Cyprus’ many beautiful shops, we were so moved by the aniconic representation of the Goddess at her Sanctuary that as soon as we found seven (and no more, at that, than her sacred number) hagstones, we knew that this would be our shared representation of Her for the rest of our days. Even their holes perfectly overlap each other, allowing water to flow freely through the cairn. Throughout our pacing along the beach, the nymphs that guided us continually inoculated us with their designs; that some wished to accompany us as daimones and intercessory oracles for the Goddess and her pact, while others sought to pass through our hands and into the company of others still.

The first and largest of the stones.

We took this charge sincerely and with extreme conviction. Even on our breathless ride back to the capital where we were staying, Key and I could not help ourselves but begin to urgently brainstorm how to begin to share some of this bounty with other devotees and sorcerers as we had been directed to.

In our bags I had carried with us a number of hagstones we had collected from our journey. Cyprus was not our first destination, nor would it be our last during this month of travel, and while our reasons for going together were more for work than for pleasure, after this crucial point we began to finally grasp back towards the hands of the spirits that had guided us along the way, with the serpents’ eggs of these holed stones being vital points of germination on the path. The spirits tasked us with bathing the set they had selected from amongst the whole within the very waters between the boulder and the Rock as the first of many steps which would come to dominate my own life over the next half year; a love letter written in wooing desire to bring those same delicate feet over countless many shores home.

The Eyes of Nepherieri

It is no exaggeration for me to say that I spent every Friday toiling over these since I returned home. I had such designs in my own mind for how the shape they could take. The spirits insisted that the hagstones had to be their true seats, outlining for me an entire regimen of how to enliven them as their hearts. In my eagerness, I imagined charm bags wrapped in animal skins and adorned with feathers and beads, only to be swiftly redirected in divination and in dream alike to what they unveiled and insisted upon: prayer ropes. The more I attempted to negotiate the aesthetics I had in mind, the more they insisted upon simple luxury: garnets the colour of the stone the woman gave me (and the colour the hagstones themselves would turn after consecration), mother of pearl in honour of the shell protecting Aphrodite’s feet, and carnelian for her fire, her light, her sighs, her kisses. Seven by seven, her number, and the number which continually revealed itself to us along each stretch of our pilgrimage. Firm in the weight of the beads yet light in their manipulation—these spirits wish to be prayed with to the Goddess, to send each intonation of vowels, each gasp of joy, each tear of grief and longing, each prayer for liberation and recognition in the arms and gaze of Another through their circuit and back through the hole that is the womb of possibility. To be wrapped around the wrist and pressed into the palm, to have yearnings hissed through the gaps and folded directly over spells, to be draped over statues, candles, and workings to empower them with not only the bonds they will forge with their eventual keepers, but everything we were able to pour of ourselves from our experience into their grasps.

The hagstone cairn that is our private Baetyl of the Goddess, looking over the Eyes of Nepherieri.

Deceptively simple as their designs ended up being, the process of ensouling these fetish-vessels was anything but. Named the Eyes of Nepherieri in tribute to the secret name given in PGM IV. 1265–74, to be intoned internally seven times in order to instill love in another, they were the sole focus of my spiritual labours every Friday for the last two seasons.

It is difficult for me to even begin to illustrate how much effort went into their consecration. With many details having to be kept private for the sake of the spirits involved, what I can reveal is that they received such attention and reverence that they consumed a full calendar month’s worth of continuous effort. They were fed white doves, sat within the blood within a copper vessel until they were dyed red, then macerated in additional red wine, sorcerous oils capturing a Venus Rising in Pisces election that Salt had procured for us, tears shed during declarations of love, dirts collected from famous lovers who were buried together as well as serpent holes within the Sanctuary, and pomegranate seeds collected from the pilgrimage. Each had to be hung upon the branches of seven different trees, all divined upon and associated with the worlds of nymphs, faery beings, and otherworldly passage, and buried under seven different holy mounds and mountains chosen for their own historic importance to the same across the Balkans, Mediterranean, and North America. Each tree and place of power was placated with regular offerings, and, once the stones were retrieved, presented with a communal meal which was then also shared with those in need.

One Eye among the many.

Their final gasping breath of life was given to them through a commingling of sea water collected from Aphrodite’s beach and holy spring water from a mountain dedicated to St. Petka, each poured through the seven hagstones of the main cairn and into their individual mouths. As the water passed through the gates, it was impressed upon me a notion I was all too familiar with from my own work with the Libellus Veneri Nigro Sacer: that the Queen of All claims ultimate victory over every planet and every sphere. Just as light travels from Saturn to Luna to Terra, so Venus claims her rulership over all of germination, placing herself as regent of every sphere of the chain of being. I am genuinely proud of these and feel so humbled and moved that I am able to share them with those who would claim them. Their spirits have passed every “check” of manifestation, ability, and fealty I have asked of them with flying colours, giving unto me individual nicknames that I will provide with those who will take them in; their true names will be revealed only directly from spirit to sorcerer once they are in their destined hands. They will be sent nestled within red velvet pouches filled with rose petals and bits of the Venus Rising in Pisces powder I crafted with Salt’s erudite election, along with instructions sent electronically on how to care for them and work with these incredible allies.

Forty-nine garnets by forty-nine prayers, kissing the womb that unites them.

If you are interested in welcoming one of these unparalleled spirits into your court, I ask that you divine first with whatever method is most appropriate—even a simple nature augury—to see if this would be welcomed by your spirits. They are priced similarly to astrologically elected talismanic jewelry on the advice of many kind astrologer-magicians, not only a reflection of the work that went into ensouling them, but also because the experience they capture beyond the translation of a pact between daimon and sorcerer is not one that we can reproduce in any meaningful way again, even if we ever find the time and ability to embark on a similar pilgrimage in the future. Our dear friend Sasha Ravitch had this to say in our Patreon Discord recently, which touched Key and I profoundly to have our efforts be witnessed so nakedly by another seer and companion of the Others:

One of the things I am struck by is how nothing like this series, nor any item in this series, has ever existed before, nor will ever exist again. It cannot be replicated – not just the creation of the materia and the devotions, but also the literal pilgrimage, the literal appearance of the goddess, the availability at the site of the materia that was to be collected and utilized. This surpasses any astrological magical Venus election. It bypasses all need for those boundaries or rules because the Goddess herself gave her flesh to the work.

Sasha Ravitch

If one of these nymphs calls to you, it would be my sincerest honour to assist you in facilitating this pact. May their gentle hands and fleet-footed gait empower you to the fullest experiences of a relationship with the Goddess Herself, and enchant every relationship and expression of love henceforth.

All Eyes of Nepherieri are sold out! Thank you for your patronage!

The Oil of Nepherieri

The Oil receiving its final consecration.

This is Key’s flagship offering for our bounty, an oil he has described on numerous occasions as an attempt to create a liquid personification of the blessings he bore witness to at Her holy site. Structured around historically attested offerings to Aphrodite, this oil also draws additional inspiration from Agrippa’s Three Books of Occult Philosophy, especially Book One, Chapter 28: What things are under the power of Venus, and are called Venereal.

Built off a foundation of apples and pomegranates gathered from her Sanctuary in Paphos, then dried, reduced to powder, and infused (some hot and some cold depending on the need of the spirits), this oil is itself a living spirit. It may be spoken to, prayed with, and used in any manner as befits the Queen on High. Its birth required immense attention and care, from the ways in which each herbal ally was freshly harvested by hand and by copper, to how each rose and myrtle bush was offered to and sung with. A powder made of the white doves given to the Goddess was added alongside countless other ingredients which must remain unnamed. The vessel of this oil was treated with just as much care as the contents, joining body and spirit in the sighs of incarnation and the joy of life. It was clothed with red and affixed with stones gathered from the temple as a calling to Aphrodite as Kythere (“the red one”), as attested in PGM IV. 2891–2942, and as Kythira; a purported birthplace of the goddess or alternative destination the nymphs carried her to in her most heavenly form. The red cloth itself was extensively consecrated, having seven feasts laid upon it and seven forms of love graced into its folds before it was ready to wrap the mother bottle in its embrace. Countless votive acts were performed to the bottle to ensure it was prepared to contain the essence of Key’s reflection upon his own devotion and experience at the temple.

The bottle you receive should be enshrined and treated as a cultic object of its own. It will be wrapped in its own cloth and act as its own mother bottle, an offering of the liquid form of the Goddess’ blessing. Use it in any manner of working you can imagine, to cultivate Her presence, to anoint your body and the bodies of others, to give unto spirits and to forge their pacts under Her gaze. This is not an oil designed only for the usual reasons of love, sex, beauty, fertility, and so on—there are incredible astrological elections and traditional recipes and formulas across the traditions we are initiated and trained in that can produce oils that work brilliantly for these goals instead. Rather, it is an offering of the Goddess unto the Goddess, forging a relationship between user and spirit directly. Include it in your own fetish vessels and add it to ropes that will tie together the pacts you will forge with even the most capricious of spirits. If you would like to use it for the everyday needs of sorcery and conjure, we recommend that you add seven drops to olive oil you pray Her hymns over to create a new mother bottle specifically for more regular engagement with practical magic.

Oil of Nepherieri

1 fluid ounce / 30 milliliter amber glass dropper bottle, draped in red cloth and secured as a devotional object of ritual use. Created by B. Key.

$220.00

Balm of Eros

Tins poured in submission and in domination.

The first of a trinity of offerings Key created in honour of the three most famous forms of love: Eros, Agape, and Philia. The Balm of Eros uses the Oil of Nepherieri as its main oil base, to which were added rose petals and thorns alike, lavender, red clover, damiana, kava, ashwagandha, skullcap, vanilla, a small portion of the dove powder, and dyer’s alkanet to turn the beeswax pink. There is a dream-like, opium haze to its kiss, liberating inhibitions and indulging the smooth, passionate glide of stripping silk, unveiled prowess, coy submission, and lurid command.

Having received extensive consecration and laboratory testing, these balms may be used to strengthen sexual and romantic bonds through mutual anointing over the skin, enhance the sensitivity of skin to touch, allow for more pleasurable and physical experiences with spirit lovers, heal minor cuts and bruises incurred through rougher, passionate play, and much more. They are also especially designed to make the clients of sex workers more docile, pliable, obedient to directions, and swifter to part with money.

Balm of Eros is sold out! Thank you for your patronage!

Tincture of Agape

A small vial of the tincture, gold as honey.

A gift unto the gods, this tincture was crafted with a number of coalescing goals in mind: to instill a benevolent blessing of overwhelming purity and the sensation of divine presence, to improve the intellect, to heighten spirit communion, and to make oneself friendly to spirits (especially those that are the least friendly of all) chief among them. Many herbal pacts were forged on behalf of this tincture, including hand-foraged motherwort as the base, hyssop, lemon balm, lavender, and more. Each individual vial was blessed with a mouse’s paw—taken from one acquired by a spirit at a three-way crossroad—to be as the gentle hand which removes the needle from the lion’s paw, ensuring that one’s humanity has a less abrasive effect to those spirits to whom we smell foully towards, and securing immediate communion between what was once stranger to become now beloved friend. In this way, this is also an incredible ally in repairing broken pacts, frayed bonds, and in allowing forgiveness to give way to lasting harmony.

In creating this tincture, we were both reminded of how deeply it is that love and beauty and the delights of this Goddess—so profoundly worshipped and so deeply called out to even to this day in her many forms and faces—is quite literally the force which makes all the stars in the sky shine and the world itself rotate on its axis, yet it is tragically what we often feel most guilty about claiming for ourselves and owning our own desires for. Our spirits have reminded us that our relationship to being seen and held by love’s embrace—romantic, platonic, or otherwise—is as necessary as breathing, yet so often we are taught it is something to fight for to become worthy of. This tincture is also an offering unto the mysteries of healing, rectification, and right alignment with the reception of love into one’s life, and that perilous and frightening as that journey may be, we never truly walk it alone.

While Key is proud of all of his offerings, this one holds a special place in his retinue for how potent its effects were upon testing. Even the very motherwort that was freshly wild harvested for this tincture was found through the assistance of the Eye of Nepherieri’s nymphs, who led Key directly through a bath of newly-blooming blue flowers into a grove pregnant with the herb. Deploy to approach the distant, to bridge gaps of understanding, to forge new bonds in impossible circumstances, and to urge ephemeral and cautious spirits rush to be present in communion.

Tincture of Agape

1 fluid ounce / 30 millilitre amber glass dropper bottle, crafted with utmost devotion, created by B. Key.

$150.00

Oil of Philia

Where there is one, may there be many.

The Oil of Friendship was born of a desire to strengthen all forms of platonic love. This oil is especially adept at finding new friends and colleagues, repairing familial problems and rifts to create peaceful homes, bring like-minded people into your fold to become fast and immediate friends, and protect existing agreements between parties. The oil is heavily strained and kept as sterile as the olive oil in one’s kitchen, especially that a drop may be incorporated in cooking without anyone being the wiser. Rub on the body, add to food, anoint on mirrors, and use in any way directed by your spirits to find, keep, stoke, and promote lasting harmony and exhilarating, adventurous, flourishing love among found and originating family alike.

For the majority of this oil’s consecration, it was not a fluid that was being addressed, but an empty bottle; slowly filled with words, sighs, blessings, incense smoke, and washed with seven veils of enchanted waters. Expressions of gratitude and love to friends were whispered daily for half a year into its mouth, perfumed with incense and bathed in elected and captured stellar milk. Once the oil was added, the effect was immediate and undeniable, setting instantly into the cushion of affection laid within.

Oil of Philia is sold out! Thank you for your patronage!

Star of Aphrodite Incense

An offering among offerings, to Her on High.

This is an incense which Key laboured over for months until he managed to achieve a smell identical to the fragrance we caught at the Sanctuary. When the Goddess appeared before us, this was the scent which permeated the temple. The smell it releases is utterly remarkable; rich and lofty, sensuous and spellbinding, lurid and elevated. The recipe draws heavily on PGM IV. 2891–2942, the Love spell of attraction which includes an “offering to the star of Aphrodite” composed of white dove’s blood and fat, untreated myrrh, and parched wormwood. Many other floral and herbal notes were added to this base until the scent was exact.

Use to manifest spirits tangibly, to call down divinities, to ensure intercessory spirits transmit your prayers to the ears of the Gods, to procure folkloric love, and call to the Mysteries.

Star of Aphrodite Incense is sold out! Thank you for your patronage!

Pigment of Venus

The hue of her embrace.

A pigment born of the kiss of copper, in honour of the relationship between the Goddess and this most sacred metal which harvested all the herbs of the collection. Key’s love of alchemy and his own background as a chemist led him to create a pigment replicating the colour of the waters themselves. Combine with oil to create a paint for sigils, seals, decorating statues, inscribing walls and pieces of art, and folding into the cracks of broken items to restore them anew.

Pigment of Venus is sold out! Thank you for your patronage!

Stele of Aphrodite

The famous Stele from the PGM.

The Stele of Aphrodite from PGM VII. 215–18, for friendship, favour, and success. These were cut from tin-plated steel and engraved with a bronze stylus, then reinforced with an engraving tool. They are sturdier than regular tin and can be placed within a wallet for easy carrying. These are a more affordable choice of talisman for everyday wear and use. In addition to following the PGM faithfully, these have been consecrated using the Star of Aphrodite incense, Venus Rising in Pisces incense, and left under the care of the Eyes of Nepherieri for additional potency. They have been tested extensively and have generated luck, fortune, wealth, soothed anger, courted deeper friendship, and propelled forward a feeling of control and peace within the turbulence of changing fortunes, that luck ever be by one’s side.

Beyond carrying them in wallets or on one’s person, they can be put in the bottom of boxes and jars as the core to prosperity vessels, given to spirits that preside over your luck/fortune/money, placed over petitions or under them with a candle burning over the top to nurture the arrival of soul-mate like friends, tied up in string to business cards so that they can persuade a boss or hiring manager to adore you without becoming too obsessed or attached, and far more. We highly encourage experimentation with these as they are a truly “super-charged” version of this reliable charm!

All Steles of Aphrodite are sold out. Thank you for your patronage!

Shields of the Sanctuary

Sherds gathered from the pilgrimage.

This famous and much-loved charm from PGM XXXVI. 256–64 protects against nightmares, spiritual assailants, curses/malefica, and physical harm. It is recommended that you hide these within your home or bury them somewhere on your property. What makes these amulets special beyond its usual formulation is that they are born of three-sided pot sherds gathered from crossroads that we found along the pilgrimage route around the Sanctuary. There are an incredibly limited amount of only seven sherds, each of which will be inscribed with your name in myrrh ink, consecrated before our shrines, perfumed in the Star of Aphrodite incense, and anointed with the Oil of Nepherieri. As such, these are especially precious and will be custom made for each individual client. If you claim one of these, please include in your notes if you would like your name to be different from the one on your purchase receipt.

All Shields of the Sanctuary are sold out. Thank you for your patronage!


None of the recipes and items will ever be in stock again once they are out, as they required the unique combination of the pilgrimage and its blessings to craft. Key and I were privileged to see many ancient temples and cultic sites across Dalmatia and the Mediterranean, including in Greece itself along our dealings. It would be our privilege and hope to be able to embark on such a journey again one day, immeasurably so with Salt in our company as well when our busy schedules afford it. Yet it was specifically in Paphos that an experience of this magnitude bore itself to us. We would not dare suppose that anything similar might happen again if and when we next find ourselves on those incredible shores. It is the unique confluence of the witnessing of the Goddess, the blessings with unfolded, physical manifestations of the path, and omens which hounded us at every turn that led to this limited collection, born of our deepest devotions. It would be our utmost honour and privilege to share our love and the love of this work and its spirits with you.

All prices include shipping. If purchasing multiple items, please note that each will ship from the individual who had created them, so you will receive two packages if acquiring offerings from Sfinga and B. Key together. Please allow for seven business days to ship your orders, as each undergoes an additional blessing before being sent.

May the heavenly, illustrious, laughter-loving Queen illuminate futures of loves untold, of passion thought only to exist in stories, and of fulfilled desire for companionship to be born of true perception. As She crests over the horizon, may your fulfilment surge to meet Her.

Patreon Preview: Astrological Almanac

Greetings, all! Ever since we released our podcast and its Patreon, a staple offering I’ve been making available to our Patrons has been the monthly Astrological Almanac & Ephemeris. It’s been a true pleasure seeing everyone’s responses to it, and how creative many of our Patrons have been with their applications of the Almanac to their own practices.

Now that it’s September, I wanted to release last month’s issue to the blog, so that our beloved readers and listeners alike can get a feel for what this project actually is and entails. We’ve received many e-mails inquiring about this offering, so without further ado, here’s the August 2023 issue as it appeared on our Patreon:

This monthly e-zine is meant to accommodate those who have interest in astrology, as well as practitioners of folk magic, traditional Western and Galenic medicine, gardeners, farmers, and anyone else with a mind for the stars and the patterns of the sky on their craft. Each issue includes a number of different subjects, spanning electional astrology, articles on particular trees and herbs, monthly prognostications for particular horoscopic signs, astro-meteorology (or weather) prediction, as well as a calendar featuring daily Psalms and Saints for the particular days of the month to help you in consolidating your ritual calendars. In addition to all this, we also include an Ephemeris, giving the positions of the planets for each day of the month. Finally, we have the Voice of the Spirits, a monthly report presenting useful advice for those amongst our readers taken directly from a spirit-informed divinatory oracle on behalf of our Patrons.

Whether you want to look at the best day for a ritual purification, exorcism, what day would be best to use herbs belonging to Venus, or when the best time to administer a herbal treatment is, our monthly almanac aims to provide useful and condensed, immediately actionable advice on approaching all these topics and more. If you’d like to subscribe for access to the almanac as well as numerous other perks related to our podcast, myself and my co-authors and hosts would be honoured to have you at our Patreon. Our one (and only!) tier grants you access to our monthly magic Q&As, the ability to suggest episode topics, first dibs on new offerings at the website, and our show notes.

Thank you all so much for your continued support of our podcast, and stay tuned for new offerings and charms we’ve been hard at work on!

Co-Arising Stars: Formula for the Paranatellonta

Paranatellonta and the formula for calculating rising and setting stars

The paranatellonta are another major feature of astrology that is occasionally utilized by classical authors, such as Firmicus Maternus, Manilus, and so on. We also find examples of these rising stars in later authors, influencing works such as the Astromagia of Alfonso and the Astrolabium Planum (or Astrological Optics as the English edition is known) of Johannus Angelus. They even find themselves appearing in the works of William Lilly and later renaissance authors, by their tables of “bright, dark and empty” degrees.

Now, the word paranatellonta (παρανατέλλοντα), literally “parallel rising” (or alternatively, συνανατέλλοντα, “synanatellonta” – rising simultaneously according to the Brill’s New Pauly) describes the rising of the fixed stars that occurs over the horizon. This is contrasted with the method of Ecliptic Projection given by Ptolemy, which sees use in various works including Anonymous 379 – in which, though he might imply use of the paranatellonta by his language, is in practice giving the ecliptic projections of the fixed stars in his work. This ecliptic projection method is also used by many astrologers today and in the classical period. It’s the most common and popular method of using the fixed stars, and itself one of much use and virtue.

Yet it is not the sole method of observing them, and, alongside the heliacal phases of the stars, the paranatellonta make up one of the three approaches to using the fixed stars in classical astrology.

Now, in ecliptic projections for the fixed stars, even if 8° Leo is rising in the Ascendant, it doesn’t mean that a fixed star whose ecliptic projection is at 8° Leo will also have its physical body also rising, because it is not directly on the Ecliptic (though some are and thus will). In other words, its body might be elsewhere, under or above the horizon. The paranatellonta however, refers to the more precise astronomical observation that we can use to determine the ascendant degree at the time a particular star’s physical body appears over the horizon. The name itself – co-arising, parallel rising, or rising alongside, however you spin it – is chosen because they rise at the same time as a particular degree of the zodiac, over the circle of the horizon. Thus they share a sympathetic relationship to the same said degree and exert their influence over it. The precise astronomical relationship here is going to be a subject in my upcoming Astrological Course, and we’ll leave those finer details for another time, though those familiar with the basics of astronomical coordinate systems will be able to understand these things just by what has already been written.

The concept of paranatellonta does indeed have a relationship to the “parans” of modern astrology, though there are also some distinctions and differences as well. Namely, as far as similarities go, the emphasis is upon the star’s physical body rising over the horizon (though we arguably also include culminating and setting stars as well) at the time of the Native’s birth.

As far as the differences, the first is that the paranatellonta emphasise the horizon. In other words, a star must be in the Ascendant or (arguably) culminating, setting and so on, to be considered relevant. It does not need to be regarding a planet to be effective or to have influence over the figure.

The second is that the paranatellonta are only effective at the time of birth itself – the exact measure of this seems to be based on the exact degree that the star co-rises with, if we consider the ‘images of the degrees’ given in Johannes Angelus & the Astromagia to give us an indication of this, although its worth thinking that Firmicus is clearly ascribing Sirius multiple degrees of influence as well. On the other hand, contemporary use of the parans considers them in relationship to the planets and horizon, and through a 24 hour period, whilst the paranatellonta emphasise the moment and degree of birth itself.

So we can see that the fundamental concept is very similar, and holds a similar basis; but there are distinctions as well.

Now, these paranatellonta also have a relationship with the decans, which makes sense considering that the decans were observed in relation to the horizon as well as their heliacal phases by the Egyptians, creating a nocturnal stellar clock – though we should distinguish the earlier Egyptian decans and the later use of decans in horoscopy.

We see them as especially important in judgements of physiognomy and the body in Astrology – which, is a far more important topic than is given credit at times. The body itself is a Nativity – a natal chart in and of itself – and the divinatory art of physiognomy as expressed in premodern Europe, much as chiromancy (or palmistry), was essentially looking at the celestial influences upon a person using the body as the medium and making divinatory statements based on their appearance. Likewise the paranatellonta are given a clear relationship to the body by Firmicus Maternus in his Mathesis – who, drawing on (I believe, as I am quoting from memory here) a lost work by Nechepso and Petosiris, gives the degrees that he calls full, and the degrees that he calls empty. These are related to the “bright, empty, dark, smoky” degrees found in later Astrological literature.

The list given by Firmicus Maternus includes Sirius as the most reliably identifiable star, and gives it to the 7th to 11th degrees of Cancer. However, the ecliptic projection of Sirius was in Gemini during the period Firmicus was writing, and the same for any sources he would have been using. On the other hand, if we look at the rising of Sirius over the horizon, during 100 BC the value we have is roughly 12 degrees of Cancer using the modern zodiac. Of course, there would naturally be offset from the zodiac used by our classical authors by some measure, but, it is still approximately close enough.

Correcting these tables (assuming they need it – as I think they do) is a difficult task; the paranatellonta vary as to which star rises, and which stars set over the horizon at any given time based on latitude. Thus any such efforts to do so would need to be able to calculate them for the given latitude as well as precession. Probably an impossible task, all in all.

But we can see here the relationship the fixed stars and paranatellonta have with the appearance. This is resembling to the decans who themselves, in astrological literature, tend to represent the corporeal form or body of a thing that they signify, as well injury to the same by disease or accidents. We find examples of this relationship in the works of Sahl Bin Bishr (again quoting from memory, please comment if a correction is needed!) who cites Al Andrazaghar on the use of the Face-Lord in judging appearance and also Julian of Laodicea, recently translated by the Horoi project. Thus we see that the co-arising stars have a strong share and influence over the body of the Native, as well as their activity and behaviour.

This brief cursory look is just a beginning, but I leave you with the formula below – so that you can calculate the time that a particular fixed star might rise or set over the horizon, as well as the formula to determine which stars will rise or set.

Notes to the Formulary

A quick note: I do not have a background in mathematics, save for entry level programming in Javascript, BASH & a small amount of C#. As such please forgive my crude formatting and the fact that I am probably breaking several mathematical conventions. Furthermore, I wish to note my sources used here. Firstly, I have drawn upon the formula given by Robson in her work on the Fixed Stars, and the formula for the Ascendant and Midheaven given by Radixpro. I have removed the conversion of LST to RAMC (or vice versa) in both cases as a result, and redacted Robson’s use of the Logarithmic Trigonometry since it is unnecessary – though those who wish to make use of them will find modernized formula for these logarithmic tables following the example as a helping hand to those who are interested in using parans and calculating them by hand.

The Formula

Sin-1 (Tan (δ) x (Tan (φ)) = AD

90N + AD = H

or

90S – AD = H

α – H = Rising RAMC

α + H = Setting RAMC

sin RAMC / cos RAMC x Cos ε = ƛMC

Tan1 (cos RAMC / -(sin ε x tan φ + cos ε x sin RAMC)) = ƛAsc

1. Breakdown of the Formula

First we need to take the declination of the fixed star (δ), the right ascension of the fixed star (α), and the terrestrial latitude (φ).

2. Calculate the Ascensional Difference (AD) for the star, as follows:

Sin-1 (Tan (δ)) x (Tan (φ))

In the windows calculator for example, this is as follows:

Tan δ x Tan φ = Dif

Sin-1 (Dif) = AD

3. Use one of the following, depending on whether the star is southern or northern

90N + AD = H

or

90S – AD = H

4. Calculate the rising RAMC of the star as follows, using the Right Ascension (α)

α – H = Rising RAMC

5. Calculate the setting RAMC of the star as follows, using the Right Ascension (α)

α + H = Setting RAMC

6. Now we calculate the MC, before calculating the Ascendant; so that we can determine the rising time of the star. This is a simple formula, divided into a few steps, and should give you the chance to familiarize yourself with these calculations before the more complicated Ascendant. The formula is as follows: to calculate the zodiacal longitude (ƛ) of the MC, using the RAMC we calculated above, and the obliquity of the ecliptic, which we can approximate to 23.4371 for modern dates but ideally, we use a more precise amount, especially in dealing with trigonometry.

ƛMC = sin RAMC / cos RAMC x Cos ε

Simplified, it is as so:

Step 6.1:: sin RAMC = SinRam

Step 6.2: cos RAMC x Cos ε = CosRE

Step 6.3: SinRam / CosRE = Result

Step 6.4: tan-1 (Result) = ƛMC

Note that if the RAMC is under 180, it will fall between 0 Aries and 29°59’ of Virgo. If it is greater than 180, then it will be between 0° Libra and 29°59’ of Pisces. If it is not meeting these requirements, add or subtract 180 as necessary to produce the result sought.

7. Now we use the following formula to calculate the Ascendant from the RAMC. To do this we need our RAMC from earlier steps, and terrestrial latitude (φ) from step 1. Finally we need the obliquity of the ecliptic (ε). This can be found easily online or via its own relevant formula. Then we consider the following formula:

Tan1 (cos (RAMC) / -(sin ε x tan φ + cos ε x sin RAMC)) = ƛAsc

However, we can simplify this as follows into six steps.

7.1: cos RAMC = CosRam

7.2: sin ε x tan φ = sintanEL

7.3: cos ε x sin RAMC = cossinERAM

7.4: sintanEL + cossinERAM = Negative Number1

7.5: – Negative Number1 = Negative Number2

7.6: CosRam / Negative Number2 = Result

7.7: Tan-1 Result = ƛAsc

From this we have our ascendant axial degree – and remember that 00.00 is 0 Aries; Whilst 359.99 is 29.59’ of Pisces. It must be in a sign following, or to the left; of the MC. So if the result is not appropriate, then you must apportion 180 to the ascendant longitude as necessary.

Examplum

Let us take the star of Regulus, on 7 Sep 2022; and as for our local horizon, let us say that the Native is from Winchester, Hampshire.

1. First we need to take the declination of the fixed star (δ), the right ascension of the fixed star (α), and the terrestrial latitude (φ). [I have also included the obliquity of the Ecliptic (ε) since we will need it later.]

φ: 51°05’ or 51.08 North

δ: 11°51’ or 11.85

α: 10h9m32s, or 152.25

ε: 23.4382260812

2. Calculate the Ascensional Difference (AD) for the star, as follows:

Sin-1 (Tan (δ)) x (Tan (φ))

In the windows calculator for example, this is as follows:

Tan δ x Tan φ = result

Sin-1 (result) = AD

Let us take the Ascensional difference, by observing the formula given, and it gives us:

tan(11.85) x tan(51.08) = result 0.2598493562969941021326313835425

We then use the arcsin on result to generate our AD:

sin-1 0.2598493562969941021326313835425 = AD 15.061123671264834812596990682949 (or 15°03’)

3. Use one of the following, depending on whether the star is southern or northern

90N + AD = H or 90S – AD = H

Now, since the star of Regulus is of northern declination; and we likewise are northern, we add his ascensional difference to 90, so we can make H.

90.00 + 15.061123671264834812596990682949 = 105.06112367126483481259699068295

4. Calculate the rising RAMC of the star as follows, using the Right Ascension (α)

α – H = Rising RAMC

Then following this, we calculate the RAMC of the star by subtracting the same from his RA, and it gives us a sum of 47.18887632873516518740300931705 in RAMC. Thus the midheaven shall have the Right-Ascension of 47 degrees and 11 minutes, when the star rises over the Ascendant. Note that we will dispense with looking for the setting time (step 5) here to keep the example simple.

6. Now we calculate the MC, before calculating the Ascendant; so that we can determine the rising time of the star. This is a simple formula, divided into a few steps, and should give you the chance to familiarize yourself with these calculations before the more complicated Ascendant. The formula is as follows, to calculate the zodiacal longitude (ƛ) of the MC, using the RAMC we calculated above, and the obliquity of the ecliptic, which we can approximate to 23.4371 for modern dates but ideally, we use a more precise amount, especially in dealing with trigonometry.

ƛMC = sin RAMC / cos RAMC x Cos ε

Simplified, it is as so.

Step 6.1:: sin RAMC = SinRam

Step 6.2: cos RAMC x Cos ε = CosRE

Step 6.3: SinRam / CosRE = Result

Step 6.4: tan-1 (Result) = ƛMC

So, using the RAMC to determine the longitude of the midheaven in the zodiac, we must proceed as follows:

The Sine of the RAMC is 0.73359794075541645499224468998881

The obliquity of the ecliptic is 23.4382260812 and when cosined and multiplied with the cosine of the RAMC, it gives us 0.62351091696510862919932339243141.

So, we divide this sum from the sine of the RAMC, giving us 1.1765598978220749303357600844386. Make an arc-tan with it and we are given 49.637609676335657842990870332858.

Converted to DMS (this means at the time of the stars rising) it will be at 49°38’ degrees of absolute longitude. IE: 19°38’ Taurus will be on the MC.

Note, that if we consider the Swiss ephemeris table of houses for the right ascension of the Midheaven, the answer is approximately the same. (Possibly give or take an insignificant deviation of a few minutes – I haven’t interpolated the table of houses).

Intermission

Now, before we move onto calculating the Ascendant (which is more useful if we would construct a table, for example) we ought to examine the figure, and determine the evidence to show that this works.

Here we have the Chart as I have designed it. We can see the Ascendant is 29’45’’ Leo. The Midheaven is at 19’38’’ of Taurus, as we observed earlier.

Now, if we look at the ‘parans’ in the Solarfire program reports, we can see that connecting to and rising over the Ascendant is Regulus, with only about a minute’s difference to our manual calculation.

In this respect then, we can see that it works effectively for the calculations. But still, if we had the wish to construct a table, for example, then it is good that we know the rising degree as well.

Back to our example!

7. Now we use the following formula to calculate the Ascendant from the RAMC. To do this we need our RAMC from prior steps, and terrestrial latitude (φ) from step 1. Finally we need the obliquity of the ecliptic (ε). This can be found easily online or via its own relevant formula. Then we consider the following formula

Tan1 (cos (RAMC) / -(sin ε x tan φ + cos ε x sin RAMC)) = ƛAsc

However, we can simplify this as follows, into six steps.

7.1: cos RAMC = CosRam

7.2: sin ε x tan φ = sintanEL

7.3: cos ε x sin RAMC = cossinERAM

7.4: sintanEL + cossinERAM = Negative Number1

7.5: – Negative Number1 = Negative Number2

7.6: CosRam / Negative Number2 = Result

7.7: Tan-1 Result = ƛAsc

So in this example, we have our RAMC, and we make the cosine of it to be as follows which we will save for later. (Cosine of the RAMC: 0.67958374121178950478721381305492)

Now we take the sine of the Obliquity of the Ecliptic and multiply it via the tangent of the Terrestrial Longitude, and it gives us this result. 0.49259755429671712792119030118711

We then take cosine of the obliquity of the ecliptic, and multiply this via the sine of the RAMC. This gives us the following. 0.67306837551544119543796432811591

We add these two values together to produce the following:

1.165665929812158323359154629303

But we then negate it, so that it is written as such instead:

-1.165665929812158323359154629303

Now we take that Cosine of the RAMC, and divide it by the negative number:

0.67958374121178950478721381305492 / -1.165665929812158323359154629303

This shall give us the following result:

-0.58300043248351719733908295153597

And this we make the arctan, or tan-1 and the value that is returned will be our absolute longitude. However, in this example we must also add 180 Degrees, since the result is -30 and would place us elsewhere.

tan₀⁻¹ ( -0.58300043248351719733908295153597 ) = -30.242203862335842420585487984185

-30.242203862335842420585487984185 + 180 = 149.75779613766415757941451201582

Converted to degrees this is 149 degrees and 45 minutes, 28 seconds of absolute longitude. So we thus know the Ascendant will have the 29th Degree of Leo, 45 minutes and 28 seconds, just as it is also affirmed in the figure above. And if we wished to include it in a table for the same star, we could do so.

Co-Latitude and which stars can rise or set

Note that not every star will rise and set however, depending on the latitude we look. Therefore we must look to its colatitude:

1. Determine the Co-Latitude. This is found by subtracting the latitude of a place from 90. Thus, Alexandria has the latitude of 32°10’ (or 32.17 decimal).

90° – 32°10’ = 57°50’N

2. Any star with a greater declination than the co-latitude in the same hemisphere cannot set. Any star with a greater declination than the co-latitude in the other hemisphere cannot rise. As an example, if our co-latitude for Alexandria is 57°50N, then a fixed star at 58°N cannot set; and a fixed star at 58°S cannot rise over the horizon.

A final note on Robson’s formularies

Though I don’t consider the aspects with the paranatellonta, I wanted to make a note for those who are interested in using the above formula for their own use of parans. The formula given by Robson was making use of logarithmic tables, and converting these to a calculator can be troublesome. Whilst I won’t give the full formula here, as a helping hand for the interested parties who might want to use the same, the method of deriving the logarithms is as follows. For example, if we wanted to observe the logarithmic tangent of a particular stars declination:

log(tan(δ)) + 10 = LTδ

In the Windows calculator this would be as follows (make sure you are using scientific mode):

Tan δ = δt

log δt = δtl

δtl + 10 = LTδ (logarithmic tangent of the declination)

For example:

log(tan(11.85)) + 10 = 9.3218506117750843878824221985422

And finally, a note on usage of these formulas

If any readers, students, and fellow astrologers are interested in using these formulas in their publications and programs, you have my permission and encouragement to do so! All I’d ask you to give me a shout out as well, and ideally a link to either this article/our blog, or the website of our upcoming platform for hosting classes, soon to be featuring work from myself, Sfinga, and Key: mercurii-school.com. The website isn’t live yet, but expect updates very shortly on the first course: a 106 lesson tour of traditional astrology and magic by yours truly. I named my sources, and would appreciate being named in turn!

Many thanks for your time, and I hope you find this useful!

Sphere + Sundry: Hermanubis Series (Review)

I took notice and became interested in Sphere + Sundry’s offerings in the same year I began experimenting with astrological talismans. At the time, one of my best friends, who goes by Hex, had begun studying scholastic image magic. Whenever he found an appropriate election, he would also message our friend group of magicians with the times for their respective cities and the general instructions for making the talismans. A few months later, Salt himself signed up for Christopher Warnock’s astrological magic course and he too joined in the hunt for elections. Over the course of the last year we’ve made an assortment of planetary and fixed star talismans using the appropriate metals and gemstones. While I am not currently studying the same art, being more immersed in other projects relating to my traditions of witchcraft, the grimoires I am procuring tools for, and my Quimbanda lineage, I have come to deeply respect and enjoy the power of astrological talismans in my practice. Their magic feels so clean and elevated it sings; bending reality around them to flow with the tides of that particular celestial moment they capture and eternally embody.

Run by Kaitlin and Austin Coppock, Sphere + Sundry create more than just your standard talismans. Their range of products include oils, candles, inks, hydrosol sprays, incenses, collaborations with perfumers, jewelers, and blacksmiths, and a host of other elected tools and materia all having been crafted to the strictest standards within the time frames allotted. Even the very bottling and packaging is carefully done within the right times, and the bottles and jars themselves are never branded. You can read more about their philosophy and approach at their website [here]. Both Salt and I have had nothing but excellent experiences with their work—in fact, part of my Christmas gifts for him last year involved a few of their Exalted Mars offerings in addition to a set of the seven pentacles of Mars in iron. The results he’s had with them in conjunction have been nothing short of remarkably powerful. As for myself, their main line I work with is their Hermanubis collection, of which I have almost a complete set. Given that they see such regular use, I thought I would offer a review of the line here for those interested in both the set itself and their products more broadly.

Before I get into the review proper, I wanted to briefly comment on Hermanubis himself. I first began engaging with the god two years ago, shortly before I read Gordon White’s The Chaos Protocols in which he is famously recommended. I was led to him by a cynocephalic spirit familiar Hekate had bestowed me, who referred to Hermanubis as one of his masters. Intrigued by the syncretized Hermes-Anubis psychopomp deity, I printed out a picture of his statue in the Vatican museum and set him up with a tealight and a glass of water in the corner of one of my necromantic working altars. Since then, his guidance and erudition have been the catalyst of some of the most important breakthroughs in my witchcraft, spirit work, and general understanding of magic. There is a distinct elegance, a celestial current flowing within the sea of the dead he shepherds, a starry overtone to his shadowed approach; a mercurial swiftness embedded within his darksome guidance. While there is no shortage of psychopomps and death-beings in my life, from St. Cyprian of Antioch, Veles, and Hekate to the Exus of my Quimbanda court, Hermanubis has a distinct and deeply valued place among my spirits and my attempts to further ingress his mysteries have yielded important sorcerous fruit.

As my relationship with him grew, so too did his shrine. The framed picture of his statue was soon replaced with figures of Hermes, Yinepu/Anubis, and a little figurine of Hermanubis from the Hachette “Gods of Ancient Egypt” series. I created the APHEROU (“way opener”) brass bowl for scrying and conjuring the dead using the instructions in The Chaos Protocols and set aside the usual space for candles, water, and food.

In purchasing the Hermanubis series from Sphere + Sundry, I was specifically interested in further cultivating the god’s presence in my life as well as having properly-enchanted materia on hand to bring his essence and power into other domains of spellcraft, sorcery, and spirit work. I am reviewing everything available in the series except for the beeswax candle.

Here is what they look like together out of the box. Inside the package was a bottle of Oil of Hermanubis, a bottle of Ink of Amenti in a 1/8 oz glass vial, a vial of Natron, some Way Opening Dead-Drawing Elixir in a 1/2 oz glass bottle, a bottle of Hermanubis Self-Igniting Incense, a 5″ Hermanubis statue in white, and the accompanying Opening of the Mouth and Eyes Ritual. As with all Sphere + Sundry shipments, they came packed with a few chocolates which were promptly devoured. No pictures/traces of evidence for those.

Let’s begin with the most immediately striking: the figurine. Its presence in the collection is owed to Oliver Laric’s Three D Scans, a project involving copyright-free 3D models of statues from various museums. Unless you commission your own or buy one of the Hachette figurines like I did, this is one of the only few actual statues of Hermanubis available. It’s a lightweight, 5″, standard 3D-printed figure that looks just like the Vatican museum statue. You have a choice of white or black in the listing. I went with white to match the marble of the original.

Accompanying the statue is a ritual to perform a take on the Opening of the Mouth ceremony, to better enliven and consecrate it as an icon of the god. Performing the ritual was the first time I actually used most of the products; I received my package late on Halloween (auspicious!) and wanted to wait until it was the Mercury hour on the following Saturday to carry it out. Until then, I kept the vials wrapped in black silk in a black cauldron that sits on the Hermanubis shrine.

When it was time, I withdrew the oil, elixir spray, incense, and natron and procured a series of offerings to the god—breads, olives, alcohol, spring water, and so on. I cleaned the statue with purified water and natron, anointed its eyes and lips with the oil, “cut” them with a ritual knife bathed in the smoke, and sprayed the entire figure with the elixir. I did the same for my other statues and figurine as well and then sat in communion with the spirits as the offerings were presented. The combination of the incense, oil, and elixir truly emanate, enhance, and vivify that exact blend of Hermes Chthonius and Yinepu heka made manifest in the spirit of Hermanubis as I’ve come to know him. The sensation that fills the room when even one is used sings with the same power that builds after I’ve spent some time praying and invoking at the main shrine, having plunged deeper into the work—though elevated to an even stronger degree. I find that now, all it takes to stir the same level of attention, focus, and presence of the spirits at the shrine is to open with a prayer and mist the space with the elixir.

I tend save the incense for larger workings as the bottle is quite small. A myrrh resin blended with a herbal mixture aligned to Hermanubis along with some black dog hair, the powder is self-igniting. While it can be used as an offering to the dead and to Hermanubis himself, I’ve chosen to use it only in important chthonic rituals in which I really want to draw, wake, and gather the dead or other such spirits and facilitate their conjuration.

The elixir, along with the oil, are my favourite pieces. To quote the listing:

Dark red wine and high proof spiced rum were ritually infused with herbal attractants for drawing the dead, blessed by Hermanubis as the Sun set on the day of Mercury’s exalted direct cazimi 2018.

The bottle is similarly prepared with copper leaf, echoing the concept of paying pennies to traffic with the dead. While I have yet to use this at a cemetery (which can be done to wake particular graves), I have mostly employed it to great effect at my ancestor altar, at a boveda during seance, and to baptize particular necromantic tools. Before I use it, I always begin by delineating the appropriate boundaries, naming precisely which forces I am calling, and ensuring that several of my helping spirits and familiars are at my side to guard the gates, as it were. Similarly, as is advised, I banish, cleanse, and re-anoint the windows and thresholds of my working space with holy oil once I’ve finished. I also give offerings to my spirits in thanks for monitoring what flows through my walls. When sprayed, the atmospheric change is unmistakable. I find that my psychic senses are instantly elevated and attuned to the frequencies of the dead, that the spirits more easily manifest and take form in my compasses and circles, and that the clarity of their messages and warnings are distinctly improved. Extremely versatile and consistently potent in every circumstance I’ve used it in, I would highly recommend the elixir to any witch; whether you work with Hermanubis or not. As long as the chthonic have a place in your practice, you will benefit from this water.

The oil packs a similar punch, albeit in a far more earthy, concentrated form. The description given for its contents on the listing is:

As the Sun descended into the realm of the underworld on the day of Mercury’s exalted cazimi 2018, organic cold-pressed olive oil was combined with ritually harvested cemetery cypress, hops, barley, and other herbs and ingredients sacred to Hermes, Anubis, or favored by the dead, along with myrrh, hair from a black dog, and 24k gold leaf.

After opening the mouths of my statues, I used the oil to anoint the offering plates and gifts belonging to my dead, five-spot their working spaces to further anchor their presence as liminal hedges of communion, and further empower particular tools—such as a wand made from the oldest yew tree in a British churchyard. A few of my familiars have taken a particular liking to this oil and I’ve used a small dab of it to further solidify their grasp and influence over workings I’ve done with them. Again, I’ve noticed consistently their manifestations have only ever been enhanced through this oil’s use. I’ve actually found that carrying it with me in my bag of throwing bones has served as a kind of battery and beacon to spirits in general. I’ve also anointed myself with it prior to going on cemetery walks to open myself further to the whisperings of my allies there, as well as in seances and any such sessions involving channeling and divination. Alongside my own Hekate oil, made through Jason Miller’s recipe in his Sorcery of Hekate arcana, this is my go-to oil for necromancy now. One interesting use I’ve come to discover is that if I lightly dab a wrapped offering or a particular working fetish, doll, or bundle I am disposing of at crossroads or cemeteries, specifically while charging and praying over the oil as I’m shaking and using it, the spirits in these spaces are immediately provoked to action far more quickly. It’s a powerful way to “mark” something as theirs now, whether it is a gift like a meal or bottle of alcohol, or a working bundle that draws their intercession.

The Ink of Amenti has been used solely for my work with a particular black book I keep. I’ve poured a small amount of it out into a larger vial of plain ink, fumigated it with myrrh incense, and consecrated it as another batch of necromantic ink through dilution. I tend to treat the vessels in which my ritual inks and oils are housed as living entities, especially since I’ve begun to make my own oils during specified times and with ritually-harvested ingredients. My mother bottles all have personalities of their own and I treat their bottling and pouring with reverence. So while the original bottle my ink came in is paired with that black book, some of it was reincarnated into a new, diluted form and saved for future work. As for its effects, I’ve noticed that what I write with it glows hazily in my psychic vision, especially in the dark, and that it has cemented the influence of the spirits whose seals and pacts are within that book in an interesting way. Namely, when I use ink from the same bottle to write petitions, commands, sigils, etc. on other pieces of parchment, the spirits of my grimoire can be instantly stirred just by their writing prior to any formal conjuration. A proper link has been forged between the agreements in the book and whatever I write with the bottle, as overseen by the chief binding spirits who authorize the contracts. As such, I’ve been able to more quickly launch these spirits to action through its use.

As for the natron, I’ve found the most practical way for me to use the special properties of this vial is to divide it among other existing purifying salts I have. I’ve mixed some with a larger batch of natron I have that I use for purifying baths and another portion with a jar reserved only for drawing circles. Again, to better blend them, I fumigated these jars with incense to combine them as one. There is little left in the original vial as it is now. Much of it was used immediately in the purification and consecration of various different statues and figures of the gods and spirits I’ve adapted the accompanying ritual for.

I referred to the elixir as extremely versatile and consistently potent, but really this applies to the series in general. You don’t need to work with Hermanubis to benefit immensely from these tools as enriching way-openers for all magic concerning the dead and travel to and from their worlds. If you’re thinking of beginning a relationship with the deity, these offerings will draw the attention and focus of the right spirits easily. If you’re struggling which to choose, I would pick between the oil and elixir depending on how you envision working with these powers, whether you prefer to anchor and anoint specific points or permeate and uplift the air around. With both you’ll be set for a long time indeed. While there aren’t many left, if you’re willing to spend a little extra I think the Statue and Opening of the Mouth Ritual Set is ideal; it’s not only well-priced but you get a sample of the majority of the offerings including one of the replica figurines. And if this particular lineup isn’t your calling, do consider checking their other series for something undoubtedly equally potent but better tuned to your needs.