We have spent a lot of time pondering the curiosity of just how many of the most creative and life-changing undertakings in our lives all began with Venus. From the very inception of this website, with my appreciation for and desire to work the Libellus Veneri Nigro Sacer, or Tuba Veneris, to the sheer command and force with which an encounter with Aphrodite changed so much of my spiritual life, it is the Venusian impulse, whether in love, fertility, beauty, war, agriculture, trade, seafaring—and of course, in witchcraft among all the innumerable other fields—that has been a continual driving force of evolution, growth, expansion, and refinement. And it is now to her service we once again turn, this time not to expand upon a deeply personal experience of a specific instantiation of a goddess, but to take up the creative mantle alongside some of our dearest friends in contemplation of the greater cross-cultural and cross-temporal expressions of “Venus”.
The roots of this collection were born from many months of conversation with some of our closest friends and colleagues: Dr. Al Cummins, Jackson Walker of Haus of Ophidious, and our Tata in Quimbanda, Jesse Hathaway Diaz. Our desire was to offer a collaboration in honour of the many manners in which Venus—whether localized in a specific goddess, exalted as a planetary power, or flattened to merely an amorous force over and above her myriad other patronages—has been understood by sorcerers and witches across time. As we worked on our individual creations, we also shared materia amongst each other, circulating powders, oils, and gemstones between our hands such that a little of each of our creative force and dedication is present in each other’s. Additionally, we recorded a Frightful Howls episode all together, the first ever panel style episode featuring five speakers, which will premiere during tonight’s Venus cazimi. This post will be updated with its link during that very window!

It is our great joy and pleasure to, now more than two years after our Foam-born Aphrodite collection, unveil our newest offerings in service to that same impulse. We will be writing here in the third person together, as while we have our own individual contributions to the collection, we worked on each piece collectively and shared in both materia and labour.
The Pigment of Venus II

Key’s half of our effort emerged out of his ever-growing adoration of the Cypriot goddess. The guiding star of his inquiry begins and ends with an alchemical mirror of our Lady’s birth. This is the same pigment that sold out so quickly in the Foam-born Aphrodite collection, being a copper-based cerulean as vivid as the shores of her birth. He laboured extensively over its purity, spending hours washing and sanctifying the pigment itself, including with the natron produced as a by-product of its synthesis, recovered and given life anew. Even through the chemical reaction, as well as the many days it took to wash and dry it, Key continually prayed over the vats, worked only under candlelight offered to Aphrodite, and conducted his work only during Venus hours. This is the heart of his devotion to the goddess, who has so captured his alchemist’s heart in pursuit of her famed Cypriot mysteries. It was, after all, precisely in Paphos that she was so celebrated amidst the copper refineries, the perfumeries, and the temples overlooking the Mediterranean shores.
Each purchase comes with a 1/2 oz jar of the fully enchanted pigment. A little goes a long way—it can be mixed with carrier oils to form an oil paint, or used alone as a dust or with other adhesives to colour entire surfaces. As the pigment is our goddess born in foam, it carries the same vital Veriditas to any surface it is applied to. Use to paint statues, mark boundaries, and draw sigils of any Venusian impulse. Add to charms for protection, love, wealth in commerce and trade, and victory over competition. Its uses are limited only by one’s creativity, for it stirs her presence strongly and immediately. Consider anointing the eyes of statues with its cerulean command to summon forth the gaze of the goddess, or to anoint other charms in service to her familiars and daimones.
The Door, Aphrodite

These have been a long labour of love from Key’s hands, originating from a playful consideration of the “Amulet to protect the entrance of a house from vermin” translated in Marvin Meyer and Richard Smith’s Ancient Christian Magic collection. Evoking an image of fairy doors, these charms are made from Paulownia timber (being notably resilient to decay), infused with Key’s pigment and his personal Oil of Nepherieri. A fed hagstone, which had drank of seven pure white doves, rests tied at its door as its knocker, which, when rung, will mutually announce your arrival at the threshold of spirit, whose answer in turn will be to feast at your table. This is a portal in honour of Venus as the womb of possibility, the door which awaits its knock, the vaginal cleaving of encounter and the ingress of spirit into matter. Its threshold is coated in a copper-laden wax, enchanted to ease the passage of notoriously elusive spirits under Venus’ purview to arrive before you, ready for communication and compact. The threshold also contains a plug of each of our collaborators’ Venus powders (see Sfinga’s Shells of the Six Servants for more information on this matrix!) which Key loaded into the door by drilling a small hole on the side. Braided around its inner gate is a rope of weeping willow, anointed and ensorcelled through the serpents of Aphrodite’s gardens to create a lush oasis under its branches to welcome all who would step within. Additionally, three drops of wax infused with the essence of our work with Nepherieri dot the front, sealing the enchantments and its pacts in the trifold expressions of Aphrodite as Queen of Love, Queen of Life, and Queen of Magic.
These doors may be placed into a tree on your property, alongside a wall of your choice, or into any surface you divine on and see fit for this work. While these charms are ideal for those who have already developed significant pacts with their local land spirits, they may also be used to jumpstart such pacts for those who have recently relocated. Each door comes with a small charge to be buried on the property. The charge itself is based in soap, which will gradually melt and fuse into the land that you’re on, linking your door to a pre-existing web of spirit doors and pathways within Aphrodite’s realm. Once installed, these doors are not meant to be moved, so please divine ahead of time where they should rest. Should the need arise to move out, please feel free to reach out to Key personally for a second charge tailored to your situation via divination and consultation, which will then be sent to you at only the cost of shipping to reforge the same pact.


The uses of these doors are myriad. These are essentially tools for the spirits of Venus’ purview to continually passively bless and occupy your land with their grace. They are more worked passively than actively—once installed, they will naturally draw the various attendants, daimones, and spirits of place into the network of Venusian congress, bringing passive boons of luck, fertility, love, beauty, agricultural success (including flourishing gardens!) and oracular dreams. These are meant to form of a locus where offerings can be made in invitation, facilitating spirits that would otherwise take far more supplication to appear. Simply by knocking upon its frame with the fed hagstone, praying in your own words for what you wish, and opening the door, you may invite congress with legions of attendants and direct them as a group to your needs. The example door pictured above has a small copper Idol of Pomos in place of where you would place any stone or knowable point of congress between you and your land spirits. This could be as simple as a pebble you find yourself attracted to, or a a pre-existing figurine or statue you wish to serve as intercessor. Petitions may be read aloud or burned to ash and tucked behind the door, such that after you have made your offerings and thanked the spirits within, its closing may be understood to be its issuance, dismissing the hordes of whispering voices and setting them through their many pathways into manifestation.
Ultimately, these charms are meant for witches who work animistically with their lands and who wish to conjoin the earth upon which they reside with the well-worn walkways of Venus’ gardens, connecting them to become one node among the myriad blooming paths. The tree that you install this on will inform the character that the spirits who pass through will take on.
Seven are available for purchase and will be shipped along with the soap charge to bury into your earth.
The Seals of Venus from the Tuba Veneris


Sfinga’s contribution is sourced from her many forays and continued fascination with the Libellus Veneri Nigro Sacer, or “The Consecrated Little Book of the Black Venus”—also known as the Tuba Veneris. Over the past seven years of working the grimoire and its spirits regularly, she has been continually updating her own “little book” with her investigations, experiences, and understandings of the six spirits it features under the command of Anael. Many readers have reached out with their own experiences, as well as their questions, concerns, and frustrations over the narrow timing of the construction and consecration of the grimoire’s prized tools, being the Seal and Horn of Venus. We completely understand how difficult it is to finish engraving everything (and burying them at a river!) in just two nocturnal Venus hours on the one Friday new moon of the entire year, and even more so the frustration of having to wait another year entirely to finish whatever is incomplete the following year.
It is with this in mind that Sfinga created a set of fully consecrated Seals of Venus, completed to the exact specifications of the grimoire. These were engraved, perfumed, and consecrated fully within the two nocturnal Venus hours of the last Friday new moon, then buried at a river overnight and recovered during the first nocturnal Venus hour of the Saturday following. Her aim was to produce a fully consecrated set of Seals—the very control mechanism by which the spirits are called and compelled into obedience—such that anyone wishing to engage with this work would be able to save a significant amount of time during the next Friday new moon finishing the rest of the tools.
In Teresa Burns and Nancy Turner’s translation of the text, the instructions given for the Seal are as follows:
The first thing we need for our Negromantic work is the Seal of Venus, which is to be made in the following way: One takes a Piece of new Copper ore and from it makes a Plate the size of the figure drawn below; one must cut this [Plate] according to the number appropriate for the Planets, that is, with six Angles: the Character should be engraved using a new and pure iron or steel instrument on the day [of Venus] in the third or tenth hour of night, counted from the time the [sun] sets. If the span of one hour is not sufficient, one must wait until the next hour, i.e. the tenth hour, since work is only permitted in the hours of Venus (we emphasize again) on the new moon, which is why, if one cannot complete the Seal during one night of [Venus] in the two prescribed hours, one must wait in the same way until the next new moon. After it is finished, one consecrates the Seal with smoke on the same day and in the same hour of [Venus].
Let the Consecration be done with these Materials: Verbane, Myrtle, and Musk.
Afterwards one wraps it in new linen and buries it likewise at the aforementioned time of the day of the New Moon, at night next to a flowing body of water, then unburies it on the following night at the hour of [Venus], and preserves it for the opportunity of the work.
Translation by Teresa Burns and Nancy Turner
These are the exact procedures which these Seals, here on offer, underwent, including being engraved with a completely new and previously unused engraving pen purchased just for this project. After being retrieved from the river during the nocturnal Venus hour of Saturday night, Sfinga presented the Seals to her household shrine of the Cypriot Aphrodite, who has, over the last three years, come to increasingly influence her work with the Tuba Veneris, and performed an additional blessing and consecration over them to not only function as the controlling mechanisms of the grimoire itself, but as talismans directly funnelling the virtues of Venus into all they are applied to. They may be used to begin your own work with the Tuba Veneris as well as to empower other Venusian works you are engaged in. Simply layer them over other talismans, enchantments, and any materia being consecrated, or wrap them all in the same linen, leaving them bundled from the first Venus hour of a Friday morning to the last at night, with a green candle burning nearby, in order to bring forth Anael’s presence and power into anything you do. These serve as excellent batteries of power in addition to their multivalent uses within the grimoire itself.
Sixteen are made available for the karcists interested in working the grimoire proper, as well as the witches more interested in taking its power for themselves.
The Shells of the Six Servants

While the Seals themselves are fully made to the specifications of the grimoire, these next offerings are an outpouring of Sfinga’s work with its spirits, drawn on her on personal experiences and pacts she has forged with them over the last seven years. Much like the Wards of the Wisest Healer, these charms are made in walnut shells split apart in the day and hour of Venus. From their inception, being presented to the six spirits of the Tuba Veneris, they were worked alongside their direct intercession, whose voices were called through Sfinga’s own Horn in order breathe their enchantments and weave them within the fabric of the shells. Each walnut was presented to Sfinga and Key’s joint shrine to the Cypriot Aphrodite, as well as perfumed in Key’s Star of Aphrodite Incense within the Circle of the Tuba Veneris. Each walnut is filled with a complex load of materia, including Sfinga’s personal powder to Aphrodite, Key’s Star of Aphrodite incense, Tata Apokan’s powder of Venus, and Jackson’s Venus Rising in Pisces powder. Freshwater pearls, which were (in addition to other materia featured in this collection) fed seven pure white doves lie at the heart of each walnut, nestled into rose petals upon which seven different pairs of lovers had lain over in union.
The materia list that has gone into these is extensive, including sheep, goat, rabbit, dove, white coral, rose, apple, jasmine, hibiscus, damiana, rosehip, lady’s mantle, myrtle, red clover, linden (and linden honey), red storax, sumatran benzoin, copper carbonate, and far more. Finally, these walnuts were caked in Key’s pigment and sealed in a matte varnish.
These may be carried with you in a small pouch or kept on your person to bring the favour of Anael and her servants. These are charms of pure Venusian fortune and luck, bringing beauty, admiration, appreciation, and victory in competitions, disputes, and battles. Whisper to them what graces and favours you need and carry them with you to allow for Anael’s legions to compliment your own and significantly empower the potency of your own spiritual court in bringing you these favours. When we tested these in the wild, we found them to be remarkable at being lightweight, easy to carry tokens of pure Venusian virtue, radiating from within their shells the whispers of myriad celestial choirs eager to advise, guide, and empower your graces. Roll them in your hands and rattle the pearl within to call them to your service and grant you significant boosts in charm, admiration, and fortune before interviews, dates, negotiations, uncomfortable meetings, or flirtatious encounters.
Fourteen are available and will come with a complimentary drawstring pouch to be carried within.
The Stygian Sojourner’s Earthenware Thrones

Finally, Sfinga has prepared a limited set of only three vessels in direct pact with the familiars of Venus themselves. These are one of a kind vessels, each fully enspirited with their own familiars that come with names, preferences, and manners of working to be revealed only to their new keepers. Held in unglazed terracotta pottery, these clay bowls are painted with the seals of Anael in the Venus hour and day and rubbed in Key’s copper carbonate pigment to enliven its flesh. Inside is an exceptionally complex load held within a terracotta clay matrix which was painstakingly created in layers, each being wrapped in real copper leaf. In addition to the same powders featured in the walnut charms above, each of these vessels contains a full dosage of Sfinga’s personal Balkan folk magical oil for Danica, the morning star of Venus, as understood to be a kind of dragon-power itself through that star’s marriage to the earth.
Here is Venus as She-Dragon, having fallen to the very Earth to marry its flesh! Each clay load essentially contains its own “mother oil” of this recipe, being fully contained without other pacts and allegiances to a source other than itself. Pressed into its heart is a hagstone birthed with seven doves through the holes of her own hagstone cairn sourced from the beach where Aphrodite herself was said to be born in Cyprus, its spirit pulled through each successive stone as the rays of the seven planets under the domination and dominion of Venus’ creative fecundity. The feet and feathers of these doves were divided between these vessels in pairs, with the seventh remaining on Sfinga’s shrine, in order to link them fully to the Mistress who Bore Them.
The inside of these vessels cannot be photographed for the public, but will be shared via email in private with their new keepers, in addition to the unique names of the celestial daimones that inhabit them. These spirits are intercessor and nymph, though unlike those nymphs once offered via the Eyes of Nepherieri, these spirits take their graces from the work of Tuba Veneris as nocturnal familiars suited to witches interested in both the celestial and subterranean sojourns of our Lady.

Only three of these are available. These are versatile familiars ready to guide their witch companions through celestial and subterranean worlds alike, and teach them of the mysteries of the Dark Venus far beyond the grimoire of their origin. Their keepers will be emailed photographs of their complex cores, as well as the true names of their new spirit companions and instructions for care.
All our offerings will ship in two weeks, as the two of us will be away shortly for ritual observances. We will be packaging and shipping everything out the first week of November.
We thank you so much for your kind support and excitement for all of our work with Our Lady of Laughter. Please stay tuned for tonight’s cazimi for a special treat on behalf of all five of us taking part in this collaboration! This page will be updated with a link to a special episode of Frightful Howls once it is live during the cazimi proper. In the meanwhile, please check the beautiful offerings our dear friends have created:
The Pact
Haus of Ophidious
Dr. Al Cummins’ Artful Bracelet of Puella and Heart-Healing Bracelet of Amissio
May all your loves be reborn in the fires of their becoming.











































